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It was the first stride on a strange path that would eventually lead to Tom Harper and Jessie Buckley’s doorstep almost a decade later.įlash-forward to 2017, when Harper - a young British filmmaker hot off directing a lush BBC adaptation of “War & Peace” - had just found his next project. The next thing she knew, Steenburgen had been signed to Universal as a songwriter and was on a plane to Nashville. “He wanted to work with ‘Nellie Wall,’ but then I showed up instead,” she said. She wrote hundreds of songs that summer and sent 12 of the best ones to a music lawyer under her mother’s name. “I called a very talented friend of mine on Martha’s Vineyard and I said: ‘Look, if I come over every day and sing what I hear in my head, could you help me make them into songs?’” she said.
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When the music didn’t go away, Steenburgen realized that she had to do something with it - if only for her sanity - even though she didn’t know how to play an instrument. “I had been somebody who really liked music,” she said, “but I had never been obsessed with it I was obsessed with acting, and that felt like a big enough subject for me.” It was definitely a change.”ĭespite the paucity of roles for women in their mid-50s, the actress wasn’t exactly itching to do something else. “When I say all this out loud it sounds insane. “All of a sudden she was referencing these obscure indie bands and picking up random instruments - I’m not gonna lie, the accordion playing drives me nuts,” McDowell laughed.
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“If your mom comes to you after surgery and says that her head is now full of music, I think it’s totally fair to think that she’s gone crazy and has major psychological problems,” he said. Steenburgen’s son, filmmaker Charlie McDowell (“The Discovery,” “The One I Love”), also remembers it as a trying time. The 2022 Oscar Nominees Are Just Getting Started, as Breakout Talents Hint at Hollywood's Next ChapterĤ1 Great Films That Failed at the Box OfficeĤ5 Directors Pick Favorite Horror Movies: Bong Joon Ho, Tarantino, del Toro and More Kodi Smit-McPhee Chose a Fox as His Animal Archetype for 'Power of the Dog': 'Light on Their Feet, but Fatal'
My husband and I were kind of frightened about it.” “I couldn’t focus, I couldn’t have acted,” she said. I couldn’t get my mind into any other mode.”įun as that might sound in an Oliver Sacks kind of way - the late neurologist wrote about similar, potentially stroke-inspired symptoms in his book “Musicophilia” - Steenburgen wasn’t thrilled about the sudden mental shift. “The best way I can describe it is that it just felt like my brain was only music, and that everything anybody said to me became musical. “I felt strange as soon as the anesthesia started to wear off,” Steenburgen said.
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The bizarre odyssey of how Oscar-winning actress Mary Steenburgen came to co-write the euphoric power-ballad that Jessie Buckley performs at the end of “ Wild Rose” - easily the year’s best original movie song - began 10 years ago, when the “Melvin and Howard” star woke up after a minor arm surgery feeling like her mind was on fire.
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